Clayface Opens No. 1 With $24M; Holmes Documentary Earns $19.5M at Box Office
Photo: Washington TimesDC Studios' R-rated superhero film 'Clayface' opened at No. 1 with an estimated $24 million weekend, according to studio estimates released Sunday, and $43 million worldwide, according to Deadline. A24's documentary 'You Can See Everything,' about Theranos founder Elizabeth Holmes, pulled in $19.5 million in its first weekend of wide release, which AP called the biggest success story in theaters. Deadline noted the weekend falls in Halloween's 'dead zone' in the United States and said Warner Bros Animation's 'The Cat in the Hat' is expected to return the merged Paramount-Warner Bros. to No. 1 in November.
The New York Times, the main left-leaning source, leads with the documentary, headlining it as giving 'Clayface' a run for its money and saying it surged in its second weekend. That timeline conflicts with AP and the Washington Times, which place the $19.5 million debut in its first weekend of wide release. The Times excerpt omits Clayface's $24 million opening and the $19.5 million total. The Washington Times, the right-leaning source, runs the same headline and text as AP, calling Clayface a modest, R-rated win and framing the documentary as the biggest success story. Both the left and right sources agree the documentary performed strongly and that Clayface took the top spot, but they differ on how to describe Clayface and on the documentary's timeline. Deadline, the alternative source, is distinctly different: it leads with the Paramount-Warner Bros. merger and its back-to-back No. 1 weekends, gives the worldwide figure, and asks whether Disney should be worried.
How the sides differ Left sources emphasize the documentary's surge; right sources stress Clayface's modest win; alternative Deadline centers the Paramount-Warner merger.
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The New York Times leads with the documentary's surge, headlining it as giving Clayface a run for its money and omitting the Clayface opening figure. It describes the documentary as surging in its second weekend.
Deadline leads with the Paramount-Warner Bros. merger, its back-to-back No. 1 weekends and the $43 million worldwide Clayface opening, and frames the story around Disney's competitive position. AP largely matches the right-leaning wording.
The Washington Times leads with Clayface's win, describing it as a modest, R-rated opening, then casts the Holmes documentary as the biggest success story in theaters, citing $19.5 million in its first weekend of wide release.